One of my most recent problems has been how to transform the art-space into a positive space. This is what I call a challenging task because its starting point is the assumption that makes the art-space a negative space or better to say a non-positive space. I am still working on this one nevertheless I have found at the end of Concierto Barroco (by Alejo ...
Living abroad is a very particular experience, something that certainly has many degrees of complications. In which distance plays a very important role, this distance can be physical and/or cultural as well.The more distant you are the more attracted you become to this original source of energy that is the place in which we were born...
Maybe the best way to understand “Eugene” is to see a heart in motion, the heart contracts (systole) and relaxes (diastole). One complete sequence is called a heartbeat. The exhibition “Eugene” as a heartbeat, is a model of motion that interest me deeply. There is not only distance between departure and arrival, there is emotional displacement...
Gerhard Obermüller: In your art you often confront us with historical upheavals. These upheavals are omnipresent and leave behind traces even after events seemed to have passed over them. For you these traces specifically include processes of memory, overwriting, but also official omissions in the process of memory. Socialist Nature here in Linz is your latest ...
