(…) Alfredo Cramerotti
Did you get any particular source of inspiration for the visual styles of your recent series of works (the waves; the fruits; the sunsets), or did they materialize in relation to the nature of the materials you used?

Diango Hernández
I grew up very close to waves, fruits and sunsets, that is what you do when you are born in a Caribbean island. For obvious reasons, the island of Cuba is a particular case—at least the island of Cuba of my generation. As you know, I am from a generation that was educated in the belief of the future; this concept was our only religion, at least the official one. The good thing about “worshipping” the future is that you could become a pure optimist or—what I discovered later—a dreamer. The bad thing comes when the future stops, I mean literally stops, and then does not come back again, at least for your generation or to your island. When someone has kidnapped the future of generations, and of an entire country, what do you do? I decided to go back to my waves, fruits and sunsets. They give me those timeless emotions, the same invariable emotions that landscapes offered to the romantics, a view in which you can accommodate atemporal emotions. All meaning behind these bodies of works can only be fully understood by my friends, who are today living all over the world. These works are literally encryptions, and it is through the reading of their hidden and scrambled messages that these pieces can be fully understood. (…) Read More